Objection Overruled Guitar Tone - Amp Settings for Every Track
Translate any Objection Overruled track to your gear
Median knob positions across the 4 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6
- Bass
- 5.5
- Mid
- 6.5
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
What Accept Used on Objection Overruled
Every Objection Overruled Tone You Can Dial In
4 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Objection Overruled Tone
What amp was Objection Overruled recorded with?
Every one of the Objection Overruled tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Objection Overruled?
The Gibson Flying V appears on the most Objection Overruled tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Objection Overruled sound?
Across the 4 guitar tracks from Objection Overruled we've catalogued, the median is gain 6 (range 6–6), with bass 5.5, mid 6.5, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Objection Overruled songs can I dial in here?
ToneMirror has 4 tracks from Objection Overruled broken down, including "Amamos la Vida" and "All or Nothing". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.