Stand Back Guitar Tone - Amp Settings for Every Track
Translate any Stand Back track to your gear
Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6.5
- Bass
- 5.5
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
The Gear Behind Stand Back
Every Stand Back Tone You Can Dial In
2 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Stand Back Tone
What amp was Stand Back recorded with?
Every one of the Stand Back tracks in our catalog was tracked on a Super Lead (modern equivalent: Marshall 1959SLP Plexi Super Lead Reissue). ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Stand Back?
The Les Paul (modern equivalent: Gibson Les Paul Standard '50s) appears on the most Stand Back tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Stand Back sound?
Across the 2 guitar tracks from Stand Back we've catalogued, the median is gain 6.5 (range 6.5–6.5), with bass 5.5, mid 6, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Stand Back songs can I dial in here?
ToneMirror has 2 tracks from Stand Back broken down, including "Oowatanite" and "Tonite Is a Wonderful Time to Fall in Love". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.