Be Right Here Guitar Tone - Amp Settings for Every Track
Translate any Be Right Here track to your gear
Median knob positions across the 4 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 5
- Bass
- 5.5
- Mid
- 6
- Treble
- 6
- Presence
- 5.5
- Volume
- 7
What Blackberry Smoke Used on Be Right Here
Every Be Right Here Tone You Can Dial In
4 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Be Right Here Tone
What amp was Be Right Here recorded with?
Every one of the Be Right Here tracks in our catalog was tracked on a Marshall JTM45 2245 Reissue. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Be Right Here?
The Gibson Les Paul Standard '50s appears on the most Be Right Here tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Be Right Here sound?
Across the 4 guitar tracks from Be Right Here we've catalogued, the median is gain 5 (range 5–5), with bass 5.5, mid 6, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
What pedals are on Be Right Here?
The Analog Man King of Tone V4 shows up on the most tracks here. Every track breakdown lists that song's full signal chain in order, and the match engine substitutes what you own for what you don't.
How many Be Right Here songs can I dial in here?
ToneMirror has 4 tracks from Be Right Here broken down, including "Dig a Hole" and "Hammer and the Nail". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.