Arriving Guitar Tone - Amp Settings for Every Track
Translate any Arriving track to your gear
Median knob positions across the 4 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 5.5
- Bass
- 5
- Mid
- 5.5
- Treble
- 6.5
- Presence
- 5.5
- Volume
- 6.5
The Gear Behind Arriving
Every Arriving Tone You Can Dial In
- Indescribable
- How Great Is Our GodFender '65 Deluxe Reverb Reissue
- Holy Is the Lord
- Your Grace Is Enough
4 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Arriving Tone
What amp was Arriving recorded with?
Every one of the Arriving tracks in our catalog was tracked on a Fender '65 Deluxe Reverb Reissue. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Arriving?
The Martin D-28 appears on the most Arriving tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Arriving sound?
Across the 4 guitar tracks from Arriving we've catalogued, the median is gain 5.5 (range 2–5.5), with bass 5, mid 5.5, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
What pedals are on Arriving?
The Electro-Harmonix Holy Grail Nano (a modern equivalent) shows up on the most tracks here. Every track breakdown lists that song's full signal chain in order, and the match engine substitutes what you own for what you don't.
How many Arriving songs can I dial in here?
ToneMirror has 4 tracks from Arriving broken down, including "Indescribable" and "How Great Is Our God". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.