Still Climbing Guitar Tone - Amp Settings for Every Track
Translate any Still Climbing track to your gear
Median knob positions across the 3 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6.5
- Bass
- 5.5
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
The Gear Behind Still Climbing
Every Still Climbing Tone You Can Dial In
3 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Still Climbing Tone
What amp was Still Climbing recorded with?
Every one of the Still Climbing tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Still Climbing?
The Les Paul (modern equivalent: Gibson Les Paul Standard '60s) appears on the most Still Climbing tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Still Climbing sound?
Across the 3 guitar tracks from Still Climbing we've catalogued, the median is gain 6.5 (range 6.5–6.5), with bass 5.5, mid 6, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Still Climbing songs can I dial in here?
ToneMirror has 3 tracks from Still Climbing broken down, including "Blood from a Stone" and "Through the Rain". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.