Act III Guitar Tone - Amp Settings for Every Track
Translate any Act III track to your gear
Median knob positions across the 6 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 7
- Bass
- 6
- Mid
- 5
- Treble
- 6
- Presence
- 6
- Volume
- 8
What Death Angel Used on Act III
Every Act III Tone You Can Dial In
- Seemingly Endless TimeMarshall JCM800 2203
- Stop
- A Room with a View
- Discontinued
- Disturbing the Peace
- Veil of Deception
6 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Act III Tone
What amp was Act III recorded with?
Every one of the Act III tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Act III?
The Jackson USA Select Randy Rhoads RR1 appears on the most Act III tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Act III sound?
Across the 6 guitar tracks from Act III we've catalogued, the median is gain 7 (range 7–7), with bass 6, mid 5, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Act III songs can I dial in here?
ToneMirror has 6 tracks from Act III broken down, including "Seemingly Endless Time" and "Stop". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.