Cool to Be You Guitar Tone - Amp Settings for Every Track
Translate any Cool to Be You track to your gear
Median knob positions across the 10 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6.5
- Bass
- 5.5
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
The Gear Behind Cool to Be You
Every Cool to Be You Tone You Can Dial In
- Mass Nerder
- 'MericanMarshall JCM800 2203
- Talking
- Cool to Be You
- Dog and Pony Show
- Dry Spell
- Maddie
- Nothing with You
- One More Day
- She Don't Care
10 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Cool to Be You Tone
What amp was Cool to Be You recorded with?
Every one of the Cool to Be You tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Cool to Be You?
The Stratocaster (modern equivalent: Fender Standard Stratocaster) appears on the most Cool to Be You tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Cool to Be You sound?
Across the 10 guitar tracks from Cool to Be You we've catalogued, the median is gain 6.5 (range 6.5–6.5), with bass 5.5, mid 6, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Cool to Be You songs can I dial in here?
ToneMirror has 10 tracks from Cool to Be You broken down, including "Mass Nerder" and "'Merican". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.