Devil Came to Me Guitar Tone - Amp Settings for Every Track
Translate any Devil Came to Me track to your gear
Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 4
- Bass
- 6
- Mid
- 5
- Treble
- 6
- Presence
- 5
- Volume
- 6
The Gear Behind Devil Came to Me
Every Devil Came to Me Tone You Can Dial In
2 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Devil Came to Me Tone
What amp was Devil Came to Me recorded with?
Every one of the Devil Came to Me tracks in our catalog was tracked on a Fender '65 Twin Reverb Reissue. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Devil Came to Me?
The Stratocaster (modern equivalent: Fender American Professional II Stratocaster) appears on the most Devil Came to Me tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Devil Came to Me sound?
Across the 2 guitar tracks from Devil Came to Me we've catalogued, the median is gain 4 (range 4–4), with bass 6, mid 5, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
What pedals are on Devil Came to Me?
The Boss DS-1 shows up on the most tracks here. Every track breakdown lists that song's full signal chain in order, and the match engine substitutes what you own for what you don't.
How many Devil Came to Me songs can I dial in here?
ToneMirror has 2 tracks from Devil Came to Me broken down, including "Serenade" and "Devil Came to Me". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.