Stop at Nothing Guitar Tone - Amp Settings for Every Track
Translate any Stop at Nothing track to your gear
Median knob positions across the 4 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 9
- Bass
- 6.5
- Mid
- 5
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
What Dying Fetus Used on Stop at Nothing
Every Stop at Nothing Tone You Can Dial In
4 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Stop at Nothing Tone
What amp was Stop at Nothing recorded with?
Every one of the Stop at Nothing tracks in our catalog was tracked on a Mesa Boogie Dual Rectifier. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Stop at Nothing?
The ESP LTD EC-1000 appears on the most Stop at Nothing tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Stop at Nothing sound?
Across the 4 guitar tracks from Stop at Nothing we've catalogued, the median is gain 9 (range 9–9), with bass 6.5, mid 5, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Stop at Nothing songs can I dial in here?
ToneMirror has 4 tracks from Stop at Nothing broken down, including "One Shot, One Kill" and "Abandon All Hope". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.