La ley innata Guitar Tone - Amp Settings for Every Track
Translate any La ley innata track to your gear
Median knob positions across the 6 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6
- Bass
- 6
- Mid
- 6.5
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
What Extremoduro Used on La ley innata
Every La ley innata Tone You Can Dial In
- Dulce introducción al caosMarshall JCM800 2203
- Segundo Movimiento: Lo de Fuera
- Coda flamenca (otra realidad)
- Cuarto Movimiento: La Realidad
- Primer Movimiento: El Sueño
- Tercer movimiento: lo de dentro
6 of this record's tracks are broken down so far. Most popular first.
Common Questions About the La ley innata Tone
What amp was La ley innata recorded with?
Every one of the La ley innata tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on La ley innata?
The Gibson Les Paul Custom appears on the most La ley innata tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the La ley innata sound?
Across the 6 guitar tracks from La ley innata we've catalogued, the median is gain 6 (range 6–6), with bass 6, mid 6.5, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many La ley innata songs can I dial in here?
ToneMirror has 6 tracks from La ley innata broken down, including "Dulce introducción al caos" and "Segundo Movimiento: Lo de Fuera". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.