Beat Out! album cover - GLAY
Album · 2 tones

Beat Out! Guitar Tone - Amp Settings for Every Track

GLAY·1996·Guitar tone settings
Adapt to my gear

Translate any Beat Out! track to your gear

The Beat Out! amp settings window

Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.

Gain
6
6–6 · n=2
Bass
5.5
5.5–5.5 · n=2
Mid
6
6–6 · n=2
Treble
6.5
6.5–6.5 · n=2
Presence
6
6–6 · n=2
Volume
7
7–7 · n=2
The rig behind the record

What GLAY Used on Beat Out!

Tracklist

Every Beat Out! Tone You Can Dial In

  1. GloriousMarshall JCM800 2203
  2. Yes, Summerdays

2 of this record's tracks are broken down so far. Most popular first.

FAQ

Common Questions About the Beat Out! Tone

  1. What amp was Beat Out! recorded with?

    Every one of the Beat Out! tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.

  2. What guitar was used on Beat Out!?

    The Gibson Les Paul Custom appears on the most Beat Out! tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.

  3. What amp settings do I need for the Beat Out! sound?

    Across the 2 guitar tracks from Beat Out! we've catalogued, the median is gain 6 (range 6–6), with bass 5.5, mid 6, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.

  4. How many Beat Out! songs can I dial in here?

    ToneMirror has 2 tracks from Beat Out! broken down, including "Glorious" and "Yes, Summerdays". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.

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