Screamworks: Love in Theory and Practice Guitar Tone - Amp Settings for Every Track
Translate any Screamworks: Love in Theory and Practice track to your gear
Median knob positions across the 5 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6
- Bass
- 6
- Mid
- 5.5
- Treble
- 5.5
- Presence
- 5
- Volume
- 6
What HIM Used on Screamworks: Love in Theory and Practice
Every Screamworks: Love in Theory and Practice Tone You Can Dial In
5 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Screamworks: Love in Theory and Practice Tone
What amp was Screamworks: Love in Theory and Practice recorded with?
Every one of the Screamworks: Love in Theory and Practice tracks in our catalog was tracked on a Laney Lionheart L20H. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Screamworks: Love in Theory and Practice?
The Gibson SG Standard appears on the most Screamworks: Love in Theory and Practice tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Screamworks: Love in Theory and Practice sound?
Across the 5 guitar tracks from Screamworks: Love in Theory and Practice we've catalogued, the median is gain 6 (range 6–6), with bass 6, mid 5.5, treble 5.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Screamworks: Love in Theory and Practice songs can I dial in here?
ToneMirror has 5 tracks from Screamworks: Love in Theory and Practice broken down, including "Heartkiller" and "Katherine Wheel". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.