A New Day Yesterday Guitar Tone - Amp Settings for Every Track
Translate any A New Day Yesterday track to your gear
Median knob positions across the 4 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6
- Bass
- 5.5
- Mid
- 6.5
- Treble
- 6.5
- Presence
- 6
- Volume
- 7
The Gear Behind A New Day Yesterday
Every A New Day Yesterday Tone You Can Dial In
- Miss You, Hate YouMarshall 1959SLP Plexi Super Lead Reissue
- Colour and Shape
- I Know Where I Belong
- If Heartaches Were Nickels
4 of this record's tracks are broken down so far. Most popular first.
Common Questions About the A New Day Yesterday Tone
What amp was A New Day Yesterday recorded with?
Every one of the A New Day Yesterday tracks in our catalog was tracked on a Marshall 1959SLP Plexi Super Lead Reissue. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on A New Day Yesterday?
The Les Paul (replica: Gibson Joe Bonamassa Les Paul) appears on the most A New Day Yesterday tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the A New Day Yesterday sound?
Across the 4 guitar tracks from A New Day Yesterday we've catalogued, the median is gain 6 (range 6–6), with bass 5.5, mid 6.5, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many A New Day Yesterday songs can I dial in here?
ToneMirror has 4 tracks from A New Day Yesterday broken down, including "Miss You, Hate You" and "Colour and Shape". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.