Beat album cover - King Crimson
Album · 5 tones

Beat Guitar Tone - Amp Settings for Every Track

King Crimson·1982·Guitar tone settings
Adapt to my gear

Translate any Beat track to your gear

The Beat amp settings window

Median knob positions across the 5 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.

Gain
3
3–3 · n=5
Bass
5
5–5 · n=5
Mid
6
6–6 · n=5
Treble
7
7–7 · n=5
Presence
6
6–6 · n=5
Volume
6
6–6 · n=5
The rig behind the record

What King Crimson Used on Beat

Tracklist

Every Beat Tone You Can Dial In

  1. Waiting Man
  2. Neurotica
  3. Two Hands
  4. Neal and Jack and MeRoland JC-120 Jazz Chorus
  5. Heartbeat

5 of this record's tracks are broken down so far. Most popular first.

FAQ

Common Questions About the Beat Tone

  1. What amp was Beat recorded with?

    Every one of the Beat tracks in our catalog was tracked on a Roland JC-120 Jazz Chorus. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.

  2. What guitar was used on Beat?

    The Gibson Les Paul Custom appears on the most Beat tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.

  3. What amp settings do I need for the Beat sound?

    Across the 5 guitar tracks from Beat we've catalogued, the median is gain 3 (range 3–3), with bass 5, mid 6, treble 7 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.

  4. How many Beat songs can I dial in here?

    ToneMirror has 5 tracks from Beat broken down, including "Waiting Man" and "Neurotica". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.

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