
The Ever Passing Moment Guitar Tone - Amp Settings for Every Track
Translate any The Ever Passing Moment track to your gear
Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 5
- Bass
- 5
- Mid
- 5
- Treble
- 6
- Presence
- 5
- Volume
- 7
What MxPx Used on The Ever Passing Moment
Every The Ever Passing Moment Tone You Can Dial In
2 of this record's tracks are broken down so far. Most popular first.
Common Questions About the The Ever Passing Moment Tone
What amp was The Ever Passing Moment recorded with?
Every one of the The Ever Passing Moment tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on The Ever Passing Moment?
The Gibson SG Standard appears on the most The Ever Passing Moment tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the The Ever Passing Moment sound?
Across the 2 guitar tracks from The Ever Passing Moment we've catalogued, the median is gain 5 (range 5–5), with bass 5, mid 5, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
What pedals are on The Ever Passing Moment?
The Boss DS-1 shows up on the most tracks here. Every track breakdown lists that song's full signal chain in order, and the match engine substitutes what you own for what you don't.
How many The Ever Passing Moment songs can I dial in here?
ToneMirror has 2 tracks from The Ever Passing Moment broken down, including "Responsibility" and "My Life Story". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.