Let Them Eat Pussy Guitar Tone - Amp Settings for Every Track
Translate any Let Them Eat Pussy track to your gear
Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 7
- Bass
- 5
- Mid
- 5
- Treble
- 6
- Presence
- 6
- Volume
- 8
What Nashville Pussy Used on Let Them Eat Pussy
Every Let Them Eat Pussy Tone You Can Dial In
2 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Let Them Eat Pussy Tone
What amp was Let Them Eat Pussy recorded with?
Every one of the Let Them Eat Pussy tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Let Them Eat Pussy?
The Gibson Flying V appears on the most Let Them Eat Pussy tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Let Them Eat Pussy sound?
Across the 2 guitar tracks from Let Them Eat Pussy we've catalogued, the median is gain 7 (range 7–7), with bass 5, mid 5, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Let Them Eat Pussy songs can I dial in here?
ToneMirror has 2 tracks from Let Them Eat Pussy broken down, including "Fried Chicken and Coffee" and "Go Motherfucker Go". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.