Good Girl Gone Bad Guitar Tone - Amp Settings for Every Track
Translate any Good Girl Gone Bad track to your gear
Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 6.5
- Bass
- 5.5
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
- Volume
- 6.5
The Gear Behind Good Girl Gone Bad
Every Good Girl Gone Bad Tone You Can Dial In
2 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Good Girl Gone Bad Tone
What amp was Good Girl Gone Bad recorded with?
Every one of the Good Girl Gone Bad tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Good Girl Gone Bad?
The Telecaster (modern equivalent: Fender American Performer Telecaster) appears on the most Good Girl Gone Bad tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Good Girl Gone Bad sound?
Across the 2 guitar tracks from Good Girl Gone Bad we've catalogued, the median is gain 6.5 (range 6.5–6.5), with bass 5.5, mid 6, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Good Girl Gone Bad songs can I dial in here?
ToneMirror has 2 tracks from Good Girl Gone Bad broken down, including "Shut Up and Drive" and "Umbrella". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.