United by Fate album cover - Rival Schools
Album · 2 tones

United by Fate Guitar Tone - Amp Settings for Every Track

Rival Schools·2001·Guitar tone settings
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Translate any United by Fate track to your gear

The United by Fate amp settings window

Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.

Gain
5
5–5 · n=2
Bass
5
5–5 · n=2
Mid
6
6–6 · n=2
Treble
6
6–6 · n=2
Presence
5
5–5 · n=2
Volume
7
7–7 · n=2
The rig behind the record

What Rival Schools Used on United by Fate

Tracklist

Every United by Fate Tone You Can Dial In

  1. Used for GlueMarshall JCM800 2203
  2. Travel by Telephone

2 of this record's tracks are broken down so far. Most popular first.

FAQ

Common Questions About the United by Fate Tone

  1. What amp was United by Fate recorded with?

    Every one of the United by Fate tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.

  2. What guitar was used on United by Fate?

    The Gibson ES-335 appears on the most United by Fate tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.

  3. What amp settings do I need for the United by Fate sound?

    Across the 2 guitar tracks from United by Fate we've catalogued, the median is gain 5 (range 5–5), with bass 5, mid 6, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.

  4. How many United by Fate songs can I dial in here?

    ToneMirror has 2 tracks from United by Fate broken down, including "Used for Glue" and "Travel by Telephone". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.

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