Escapology album cover - Robbie Williams
Album · 2 tones

Escapology Guitar Tone - Amp Settings for Every Track

Robbie Williams·2002·Guitar tone settings
Adapt to my gear

Translate any Escapology track to your gear

The Escapology amp settings window

Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.

Gain
5
5–5 · n=2
Bass
5.5
5.5–5.5 · n=2
Mid
6
6–6 · n=2
Treble
6
6–6 · n=2
Presence
5.5
5.5–5.5 · n=2
Volume
6
6–6 · n=2
The rig behind the record

The Gear Behind Escapology

Tracklist

Every Escapology Tone You Can Dial In

  1. Come UndoneMarshall JCM800 2203
  2. Feel

2 of this record's tracks are broken down so far. Most popular first.

FAQ

Common Questions About the Escapology Tone

  1. What amp was Escapology recorded with?

    Every one of the Escapology tracks in our catalog was tracked on a Marshall JCM800 2203. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.

  2. What guitar was used on Escapology?

    The Les Paul (modern equivalent: Gibson Les Paul Standard '60s) appears on the most Escapology tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.

  3. What amp settings do I need for the Escapology sound?

    Across the 2 guitar tracks from Escapology we've catalogued, the median is gain 5 (range 5–5), with bass 5.5, mid 6, treble 6 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.

  4. How many Escapology songs can I dial in here?

    ToneMirror has 2 tracks from Escapology broken down, including "Come Undone" and "Feel". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.

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