Self-Destructive Pattern Guitar Tone - Amp Settings for Every Track
Translate any Self-Destructive Pattern track to your gear
Median knob positions across the 4 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 8
- Bass
- 5.5
- Mid
- 6
- Treble
- 6.5
- Presence
- 6
- Volume
- 6.5
What Spineshank Used on Self-Destructive Pattern
Every Self-Destructive Pattern Tone You Can Dial In
4 of this record's tracks are broken down so far. Most popular first.
Common Questions About the Self-Destructive Pattern Tone
What amp was Self-Destructive Pattern recorded with?
Every one of the Self-Destructive Pattern tracks in our catalog was tracked on a Peavey 5150. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on Self-Destructive Pattern?
The Ibanez RG7421 appears on the most Self-Destructive Pattern tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the Self-Destructive Pattern sound?
Across the 4 guitar tracks from Self-Destructive Pattern we've catalogued, the median is gain 8 (range 8–8.5), with bass 5.5, mid 6, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many Self-Destructive Pattern songs can I dial in here?
ToneMirror has 4 tracks from Self-Destructive Pattern broken down, including "Smothered" and "Beginning of the End". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.