It's a Shame About Ray Guitar Tone - Amp Settings for Every Track
Translate any It's a Shame About Ray track to your gear
Median knob positions across the 2 guitar tracks we've broken down from this record, on the amps they were tracked with. A starting point for the album's sound; pick a track below for its exact recipe.
- Gain
- 5.3
- Bass
- 5.3
- Mid
- 5.8
- Treble
- 6.5
- Presence
- 5.5
- Volume
- 6.5
The Gear Behind It's a Shame About Ray
Every It's a Shame About Ray Tone You Can Dial In
2 of this record's tracks are broken down so far. Most popular first.
Common Questions About the It's a Shame About Ray Tone
What amp was It's a Shame About Ray recorded with?
Every one of the It's a Shame About Ray tracks in our catalog was tracked on a Fender '65 Twin Reverb Reissue. ToneMirror rewrites those settings for whatever amp you own - a different EQ curve and gain structure landing on the same recorded sound.
What guitar was used on It's a Shame About Ray?
The Les Paul (modern equivalent: Gibson Les Paul Standard '60s) appears on the most It's a Shame About Ray tracks in our catalog. You don't need one - the settings are calibrated to the recorded tone, so they translate to the guitar you already have.
What amp settings do I need for the It's a Shame About Ray sound?
Across the 2 guitar tracks from It's a Shame About Ray we've catalogued, the median is gain 5.3 (range 5–5.5), with bass 5.3, mid 5.8, treble 6.5 on a 0–10 scale. That's the record's window rather than any one song's recipe - pick a track above for the exact knob positions it was recorded with.
How many It's a Shame About Ray songs can I dial in here?
ToneMirror has 2 tracks from It's a Shame About Ray broken down, including "It's a Shame About Ray" and "Confetti". Each carries the original amp settings, pickup position, tuning, and pedal chain, plus a per-rig adaptation for your own gear.