How to Dial In "Ghost of a Texas Ladies' Man" by Concrete Blonde - Guitar Tone Settings
Gear for "Ghost of a Texas Ladies' Man"
Suggested rig · the original isn't documented.
Knob Positions, Pickup, and Tuning
Where to set the knobs for this tone. Each value is on the standard 0–10 amp scale.
On your amp, these numbers won't sound the same.
Get the settings for my ampHow the artist had their guitar configured for this take.
From Walking in London (1992). Walking in London is the fourth studio album from rock band Concrete Blonde. No source we found ties a guitar or amp to this recording, so a Fender Standard Stratocaster through a Fender Silverface Twin Reverb, the nearest rig we use for Concrete Blonde's other songs, stands in. Set the amp to a light crunch and use the neck pickup.
Common Questions About the "Ghost of a Texas Ladies' Man" Tone
What guitar did Concrete Blonde use on "Ghost of a Texas Ladies' Man"?
The guitar on "Ghost of a Texas Ladies' Man" (released 1992) isn't documented; the Fender Standard Stratocaster above gets the sound. Pickup selector: neck pickup on the guitar.
What amp settings does "Ghost of a Texas Ladies' Man" need?
Settings for this sound: Gain 4, Bass 5, Mid 5, Treble 6, Presence 5, Volume 6. Each value is on the standard 0–10 amp scale; match them on your amp first, then nudge to taste. ToneMirror can translate these positions for whatever amp you actually own.
Can I play "Ghost of a Texas Ladies' Man" without the original gear?
Yes. ToneMirror takes the settings above and adapts it to your guitar, amp, and pedals - so you can chase the "Ghost of a Texas Ladies' Man" tone on a Katana, a Helix, a tube combo, or anything else. The translation accounts for EQ curve, gain structure, and pickup type so the result actually sounds like the record, not just the same knob numbers on different gear.
More Tones You Can Dial In
Tone references for "Ghost of a Texas Ladies' Man" by Concrete Blonde are provided for educational use. ToneMirror is not affiliated with the artists or labels referenced.